Colloquy Downeast Blue Hill Maine

FacilitatorTyler Knowles & Judy McGeorge
Date & Time Wednesdays, Feb. 4, 11, 18 and 25 2026
1:00-3:00 pm
Location Available via Zoom Only.
Available Spaces5
 

We will read Charlotte Bronte’s intense, emotional novel Jane Eyre, published 1857, a novel still loved and still influencing its readers today. It is a story that charts the moral and emotional growth of its heroine as she navigates the constraints of 19c society in her pursuit of independence, self-respect, and love. One of the novel’s most mysterious characters is Bertha Mason, confined to the attic of Thornfield Hall.

In her Wide Sargasso Sea, published in 1966, Jean Rhys reimagines Bertha as a Creole woman, Antoinette Cosway, who also pursues self-respect and love in a society that challenges and opposes her. Rhys reconsiders Rochester, Jane’s great love. The setting and language of Rhys’ novel is lush, intense, evocative as she transforms Bertha from a shadowy figure in Jane Eyre to a fully realized protagonist and Rochester from a romantic hero into a far more complex character.

Reading these two powerful, engaging novels together will both challenge and expand our understanding of identity (race and gender), power and justice in literature. Together, these novels will let us discuss the complexities of voice, perspective, and historical contexts.

  ▼ Syllabus/Reading

Syllabus/Reading

We will read first, Jean Rhys’ Wide Sargasso Sea  (Norton Paperback ISBN 978-0-393-35256-6). We will use this edition for our discussion so that we are can all reference the same page numbers. Blue Hill Books has ordered this edition.
Note that there is also  a Norton Critical Edition of Wide Sargasso Sea. (Norton Paperback ISBN: 978-0-393-96012-9)
This edition provides historical and literary notes and comments that you might find very helpful.
We will then read and discuss the PENGUIN EDITION of Charlotte Bronte’s Jane Eyre (ISBN: 9780141441146). We should all read the same edition. This one has superb notes and an excellent introduction by Stevie Davies. Blue Hill Books has ordered this edition.
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We thought it might be helpful to provide a few questions to get your analytical juices going, but as those of you who have taken colloquies from us in the past know, we start each session by asking for your own discussion question! Do check the syllabus here for any new additions each week.
So here are some questions to consider as you read or reread or simply think about what you have read:
1. Wide Sargasso Sea–Whose voice do you trust least in this novel–and why? What makes a narrator trustworthy to you?
2. Jane Eyre–What did Wide Sargasso Sea make you listen for–or distrust–in Jane’s voice?
3. Jane Eyre–Jane narrates the novel by looking back at her life. Why tell the story backwards?
4. Which novel is more truthful about Rochester–and why?
Here’s hoping these questions along with those of yours will spur wonderful discussions.
Week One: Read all of Jean Rhys’ Wide Sargasso Sea.
Everyone, please bring a question related to this text, that you would like to discuss. We start every session by just having everyone including the facilitators state their question without starting any commentary. Then Tyler will choose a starting point for our conversation from one of these questions and we will see where it goes from there.
Week Two: Read chapters I-XV (to pg.177) in the Penguin edition of Jane Eyre
Week Three: Read chapter XVI-XXVI (to pg. 342).
Week Four: Read the rest of the novel: XXVII-XXXVIII (to pg. 521)

 


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